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Now, the old timer gathers his little orchestra of traditional Chinese musicians every night at the garden of the Tua Pek Kong Temple by the river, to play soothing melodies amidst the cool evening breeze.
Wong said: “I’ve found the second phase of my life.
I now not only play the erhu, I make my own erhu too.
And I want to share this music experience and pass it on.
I’m willing to teach youngsters who are interested to learn.” This is the lighter side of a story that portrays the many faces of Sibu where family bonds and warm friendships take centre stage. Four decades ago, there was another group playing Chinese classical music nightly at the Moi Soung coffeeshop, a stone’s throw from where Wong’s band is now playing.
The group of five to six men played at the coffeeshop for more than 10 years.
Wong, 76, had been toiling all his life in the stainless steel business to raise his children.When the family insisted he call it a day in 2007, his daughter gave him an erhu, hoping it would keep him from getting bored in his golden years.For a while, the septuagenarian pondered over what he would do with the two-string Chinese classical music instrument that evolved from a Mongolian fiddle, dating back 1,000 years.He neither had the musical background nor the skills to play any musical instrument, let alone one like the erhu.“It’s no child’s play making music with a musical instrument that has only two strings,” he said.
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However, once he started learning to play the instrument, he quickly fell in love with it.